Children's E-books

When I upgraded my Nook First Gen to the new Nook Easy Touch Reader, I gave my ten-year-old son my original Nook. I honestly didn't know how many kids e-books were even available: last time I had checked (granted, a while ago) there hadn't been many. Both my son and I were pretty impressed with the selection B&N now had and he quickly bought a few (much cheaper than adult ones) to get him started.

Most agree that making children's e-books enhanced and interactive makes a lot of sense and adds value beyond what the p-book can offer. After reading about all the backlist titles that are being made digital and enhanced, I started thinking back to some of my favorite series.

The first one that came to mind was the Choose Your Own Adventure series. They're still around and I tried to get my son into them a few years back. Can you imagine the potential of that in e-books? There of course is the risk of making it more of an interactive movie than an enhanced e-book, but there may be demand for both.

What series did you love as a kid that would make a great enhanced e-series?

Publisher Value Add

Back in the day, prior to e-books, when an author "self published," this was done via a "vanity press" and was never taken seriously. With the advent of POD (print on demand), this preconception was challenged, but not severely. Then came e-books.

It is now easier than ever to publish something you've written, and to do it on your own. There are many blogs and courses out there that will teach wannabe authors how to self-publish an e-book. And with the help of either Amazon, who will carry many of these in their Kindle store, and/or the many new platforms being developed to help get these e-books to the public, what value do publishers really provide?

Let's take a step back first: how do you define a publisher? Traditional publishers vet manuscripts for what they believe can make a profit, then polish this into a finished product that (hopefully) will make them a profit. They do this by bringing together various skill sets: acquisitions editors, copy editors, production editors, typesetters, designers, proofreaders, marketers, publicists, etc. Not all of these are employed by the publisher, but those that are not, are hired on a freelance or project basis by someone who does work for the publisher. The author just has to trust these skilled professionals and do as directed.

With e-books, we now have many digital "publishers" who are offering some of these services to the wannabe author, but not all of them. Some just offer a platform; others offer ease of hiring freelancers and/or a community whereby there is support and peer review. Some will specialize in one aspect and partner with the publisher.

So in this shifting new world, how is a publisher defined and how much value does either a digital or traditional publisher still provide? I think ultimately three different parties will have to decide the answer to this question:

1. the author: How much does the author need his publisher to provide in return for splitting the profits? Some will be willing to do more work and forgo the traditional route; others will prefer the traditional route, both for the convenience--and for the prestige. But whichever the author chooses, he will need help. (It's a rare author that can copyedit his own work and even a rarer one that can also typeset, market, etc.)
2. the bookstore buyer: Amazon has chosen to carry self-published e-books but is now cracking down on their lack of quality. When a publisher puts out a book and their name is on the cover/spine, it's their reputation on the line; when there is no "publisher" and a bookstore chooses to carry a book, it's their reputation on the line. And this is where the third party comes in.
3. the consumer: What will ultimately matter to you, the reader, and all the other e-book readers out there will sway what value adds are still considered necessary. Do you, the reader, still care about writing that flows and is without grammatical and other errors? Do you still care about type that is pleasantly laid out on the screen, even when you change the font and leading, as your e-reader now allows? What do you care about enough to either boycott or to keep coming back for?

I don't know what these three parties will decide, but I do know that until quality continues to matter, publishers in all their iterations will have plenty of value they can provide a discerning and busy author. 

My first e-textbook experience: Big disappointment from Pearson

(Teleread, By Ficbot)

I’ve just had my first e-textbook experience, and if this is what the future of e-books in education looks like, color me disappointed.

The course is an on-line summer credit offered by a somewhat local university. I have taken one such course every summer for the last three years to add various teachables to my teaching credentials, and in the past, the course has consisted of the following:

• A print textbook.
• An online forum with an organizer listing the schedule of readings, discussion questions for them, etc., and a message board to talk about them
• A “lecture” for each section of the course which could be read on-line or cut and pasted to a word file
• A section of Internet links to other websites or readings

This course had an “e-book” option where one could pay on a sliding scale to get a) a print book and “access” the e-version b) only a print book c) only the e-version “access.” I suppose the word ‘access’ should have clued me in that this was not a PDF or some-such, but I was just so excited not to have to deal with the clutter of a paper copy (and to save the $20 more plus shipping that the deluxe “e-book plus paper copy” would cost) that I didn’t investigate the situation more carefully.

I came to regret this. If the e-book system used by this course is any way becoming the “standard,” then e-books have no way of conquering the mainstream educational market.

The”’e-book” was compiled by a site called Pearson Educational Media. One can access the “e-book” by setting up an account with them and logging in. From here, I thought I would get a PDF, perhaps with a password, but what I instead got was a Macromedia Flashpaper document. There was no facility to download the text as a file so it could be read on a mobile device. There was no facility to cut and paste the text into a word processor to make your own file to read on a mobile device. You could not even use the arrow keys to read easily off the screen; you needed a mouse so you could move down the hand or click on the arrows. You could print the book to paper. That was the only real “functionality” you had beyond sitting in front of your computer and clicking with the mouse.

There were some other usability concerns. Our on-line postings to the message board required that we respond in such a way as to prove we had done the readings. But there was no cut and paste! So if you had the e-book open in one window and the message board open in another, and you wanted to quote a line or two, you would have to switch back and forth between the two windows and manually type in every word! It’s ridiculous. I still think cutting and pasting the whole shebang into Word so I could read it on my Sony is fair and should be permitted, but you could persuade me why this might not be allowed. But two lines, to put into my message board post? I can’t do that? Piracy of three-year-old journal articles from educational trade magazines is such an issue? Why even have an e-book if you have to type it in from scratch anyway?

Here was another issue: the search box. It seemed to work fine for standard text—plain, simple, less formatted stuff that seemed to come from textbook chapters. But it could not make sense of anything formatted (such as call-out boxes from scanned magazine articles) or anything that wasn’t just regular, basic text. One particularly vital chapter seemed to be scanned from an older book, and there was a lot of ’static’ on the page. The whole chapter was unreadable by the search function. Every time I wanted to refer to it, I had to manually scroll back and find what I was looking for. And of course, once I found it, I had to juggle two windows back and forth while I manually retyped whatever word or phrase I wanted…

So what did my $35 get me? “Access” to a website (for the duration of the course only) that pretty much lets me look, but not touch. No ability to download to my mobile device. No ability to cut and paste even two words from one browser window into another. Limited ability to search for parts I want read later, the usefulness dependent on whether the parts important to me have the fortune to be recognized by the program as actual words. And if I want to keep any of it after the course is done, only a print button and a pile of papers, just like in the old days. This is progress?

At minimum, we should have a PDF we can download and read off-line, and the ability when reading off the OC to copy/paste even in a limited way. Better still would be if they took the raw scans, run them through an OCR program and left us with text we could actually search and bookmark. I would not “buy” another textbook under a scheme such as the current one. I hate reading lengthy documents off a computer screen and need to be able to download it for off-line, off-computer use. And an e-book that a) requires you to print it in order to read it later b) does not let you copy even a snippet from one browser window to another c) only sometimes allows you to search through text as if they were actual words is barely an e-book at all.

The Summer of E-books

Ditto Book Digital Reading Device Hits the Market

By Calvin Reid -- Publishers Weekly, 7/6/2009 7:49:00 AM

With the release of the newest handheld digital reading device, the awkwardly named Ditto Book (Digital Interface Total Text Organizer), this has truly become the summer of the e-book reader.

The Ditto Book is a nonwireless e-book reading device that looks a bit like the Amazon Kindle 2 but has a price ($249) that’s more like that of the Cool-ER, a similar nonwireless e-reading device that debuted at BookExpo America this year. (The Amazon Kindle 2 sells for $359.) Like the Kindle, The Ditto Book has a 6-inch black & white e-ink screen; long battery life and can read both text and PDF as well as play MP3 sound files. On the other hand, like the Cool-ER, the Ditto Book offers an expandable SD card slot that kicks its memory up to 2 GB of storage.

Most importantly, unlike the Kindle, the Ditto Book supports epub format titles, the industry's open e-publishing format standard and the format in which most e-books will be published going forward. In addition the Ditto Book is not a wireless device and users will need a computer and USB connection to move their e-books onto the device after downloading them to a laptop or desktop computer.

Although Amazon’s Kindle dominates part of the e-book marketplace, it seems that more companies are planning to target this sector of the market with black & white reading devices priced to undercut the Kindle. The Ditto Book is just the latest dedicated handheld reading device targeting this sector and it certainly won’t be the last. Companies like Plastic Logic are planning to offer their own black and white devices to a market that includes a range of devices that can used for reading, such as the Sony Reader, mobile phones (with high res screens and full color display for roughly the same price); and lesser known wireless and nonwireless b&w reading devices like the DRS series of devices from iRex Technologies or even the forthcoming full-featured CrunchPad. And you can bet there are even more devices offering similar functionality and similar prices on the way.

Preparing to Sell E-Books, Google Takes on Amazon

By MOTOKO RICH

Google appears to be throwing down the gauntlet in the e-book market.

In discussions with publishers at the annual BookExpo convention in New York over the weekend, Google signaled its intent to introduce a program by that would enable publishers to sell digital versions of their newest books direct to consumers through Google. The move would pit Google against Amazon.com, which is seeking to control the e-book market with the versions it sells for its Kindle reading device.

Google’s move is likely to be welcomed by publishers who have expressed concerns about the possibility that Amazon will dominate the market for e-books with its aggressive pricing strategy. Amazon offers Kindle editions of most new best-sellers for $9.99, a price far lower than the typical $26 at which publishers sell new hardcovers. In early discussions, Google has said it would allow publishers to set a suggested retail price, but that it would set the ultimate consumer price.

“Clearly, any major company coming into the e-book space, providing that we are happy with the pricing structure, the selling price and the security of the technology, will be a welcome addition,” said David Young, chief executive of Hachette Book Group, which publishes blockbuster authors like James Patterson, Stephenie Meyer and Nicholas Sparks.

Google’s e-book retail program would be separate from the company’s settlement with authors and publishers over its book-scanning project, under which Google has scanned more than seven million volumes from several university libraries. A majority of those books are out of print.

The settlement, which is the focus of a Justice Department inquiry about the antitrust implications and is also subject to court review, provides for a way for Google to sell digital access to the scanned volumes.

And Google has already made its 1.5 million public-domain books available for reading on mobile phones as well as the Sony Reader, the Kindle’s largest competitor.

Under the new program, publishers give Google digital files of new and other in-print books. Already on Google, users can search up to about 20 percent of the content of those books and can follow links from Google to online retailers like Amazon.com and the Web site of Barnes & Noble to buy either paper or electronic versions of the books. But Google is now proposing to allow users to buy those digital editions direct from Google.

Google has discussed such plans with publishers before, but it has now committed the company to going live with the project by the end of 2009. In a presentation at BookExpo, Tom Turvey, director of strategic partnerships at Google, added the phrase: “This time we mean it.”

Although Google generates a majority of its revenue from ad sales on its search pages, it has previously charged for content. Three years ago, it opened a Google video store, and sold digital recordings of N.B.A. games as well as episodes of television shows like “CSI” and “The Brady Bunch.” This year, Google said it might eventually charge for premium content on YouTube.

Mr. Turvey said that with books, Google planned to sell readers online access to digital versions of various titles. When offline, Mr. Turvey said, readers would still be able to access their electronic books in cached versions on their browsers.

Publishers briefed on the plans at BookExpo said they were not sure yet how the technology would work, but were optimistic about the new program.

Mr. Turvey said Google’s program would allow consumers to read books on any device with Internet access, including mobile phones, rather than being limited to dedicated reading devices like the Amazon Kindle. “We don’t believe that having a silo or a proprietary system is the way that e-books will go,” he said.

He said that publishers would be allowed to set list prices but that Google would price the e-books for consumers. Amazon also lets publishers set wholesale prices and then establishes its own prices for consumers. In selling e-books at $9.99, Amazon effectively takes a loss on each sale because publishers generally charge booksellers about half the list price of a hardcover ­ typically, around $13 or $14.

Mr. Turvey said that Google would probably allow publishers to charge consumers the same price for digital editions as they do for new hardcover versions. He said Google would reserve the right to adjust prices that it deemed “exorbitant.”

E-book handicap?

I recently bought a fitness e-book, enjoyed reading it on my BlackBerry Fictionwise e-reader on the way to and from work, and then moved on to finishing the print book that I was simultaneously carrying around with me. I've limited most of my e-reading to non-fiction as of yet, and didn't think anything of it until I had a conversation with my mom.

My mom, unlike myself, enjoys cooking and trying out new recipes. Since she's only into healthy cooking, the recipes in the fitness book would have been ideal for her...but I had nothing to share with her, given that it was an e-book. As a publishing professional, I understand that we want to make sharing harder, but what if I wanted to try out some of those recipes? Should I have my expensive device sitting in my kitchen while I mix and match ingredients? And what if it wasn't recipes per se, but some other interactive book that required the reader to take a quiz? How can we do this with an e-book?

I came up with two options: the publisher should either allow certain pages--i.e., those with the recipes or the quizes--to be e-mailable, or have that information available for print/download from a companion website.

Any other ideas on how to get around this e-book handicap?

More Things Digital

Mobifusion Releases New Cellphone Content Viewer

(Publishers Weekly, 5/11/2009 6:20:00 AM)

Mobifusion, a software developer of applications that deliver book content to handheld mobile devices, is releasing Mobiviewer 2.5, an upgraded multimedia platform that improves viewing and reading content on mobile phones. Mobiviewer 2.5 is a graphic user interface for mobile phones that can deliver photos, audio and graphic content from publishers (among them Houghton Mifflin Harcourt, Avalon, Simon & Schuster, and Penguin) to a wide variety of handsets and OS formats, including iPhone, BlackBerry, Android, Windows Mobile, Java, Symbian, iDEN, Palm and other platforms.

Pavan Mandhani, founder and CEO of Mobifusion said the new application, “raises the bar” for mobile entertainment viewing and reading. “We're giving consumers a new made-for-mobile experience of the content they know. By delivering 'snacks' of the mobile content wireless users want, Mobiviewer 2.5 will transform the way people use and see their mobile handsets.”

E-Reader Pilot Program at Princeton University

Princeton is using the Amazon DX electronic reader to pilot the use of an e-reader in a small number of classes during the Fall term of 2009. The project is sponsored by the Princeton University Library, the Office of Information Technology at Princeton, and the High Meadows Foundation, whose mission is “to support environmental sustainability; and to support a community of human interest through collaboration, inclusiveness and common values.” A major aim of the pilot is to help determine if e-readers can cut down on the use of paper at Princeton, without adversely affecting the classroom experience.

Amazon Launches Kindle DX

(Publishers Weekly, 5/6/2009)

Amazon introduced the third edition of its Kindle this morning, a version that, in addition to offering trade books, will now display textbooks, computer books and cookbooks on a 9.7 inch electronic display screen that includes 16 shades of grade. Magazines and newspapers, already available on the Kindle, will increase their presence on the new device. Price for Kindle DX is $489 and Amazon will start shipping the device in the summer.

Amazon hopes the larger screen and improved display will entice students to use Kindle DX and Cengage, Pearson, and John Wiley have agreed to make textbooks available through Kindle DX. Arizona State, Case Western Reserve, Princeton, Reed College, Pace and Darden School of Business at the University of Virginia will launch trial programs this fall in which they will distribute Kindle DX to students across a range of subjects. "We look forward to seeing how the device affects the participation of both students and faculty in the educational experience," said Barbara Snyder, president of Case Western.

To induce newspaper readers to use Kindle DX, Amazon is teaming with The New York Times and Washington Post in a program that will let would-be subscribers who live in areas where there is no home delivery to buy the Kindle DX at a reduced price if they agree to subscribe to a long-term subscription to the paper via the Kindle DX.

How the E-Book Will Change the Way We Read and Write

(Wall Street Journal, 4/20/09, by Steve Johnson)

Every genuinely revolutionary technology implants some kind of "aha" moment in your memory -- the moment where you flip a switch and something magical happens, something that tells you in an instant that the rules have changed forever.

I still have vivid memories of many such moments: clicking on my first Web hyperlink in 1994 and instantly transporting to a page hosted on a server in Australia; using Google Earth to zoom in from space directly to the satellite image of my house; watching my 14-month-old master the page-flipping gesture on the iPhone's touch interface.

The latest such moment came courtesy of the Kindle, Amazon.com Inc.'s e-book reader. A few weeks after I bought the device, I was sitting alone in a restaurant in Austin, Texas, dutifully working my way through an e-book about business and technology, when I was hit with a sudden desire to read a novel. After a few taps on the Kindle, I was browsing the Amazon store, and within a minute or two I'd bought and downloaded Zadie Smith's novel "On Beauty." By the time the check arrived, I'd finished the first chapter.

I knew then that the book's migration to the digital realm would not be a simple matter of trading ink for pixels, but would likely change the way we read, write and sell books in profound ways. It will make it easier for us to buy books, but at the same time make it easier to stop reading them. It will expand the universe of books at our fingertips, and transform the solitary act of reading into something far more social. It will give writers and publishers the chance to sell more obscure books, but it may well end up undermining some of the core attributes that we have associated with book reading for more than 500 years.

There is great promise and opportunity in the digital-books revolution. The question is: Will we recognize the book itself when that revolution has run its course?

The Dark Matter

In our always-connected, everything-linked world, we sometimes forget that books are the dark matter of the information universe. While we now possess terabytes of data at our fingertips, we have nonetheless drifted further and further away from mankind's most valuable archive of knowledge: the tens of millions of books that have been published since Gutenberg's day.

That's because the modern infosphere is both organized and navigated through hyperlinked pages of digital text, with the most-linked pages rising to the top of Google Inc.'s all-powerful search-results page. This has led us toward some traditional forms of information, such as newspapers and magazines, as well as toward new forms, such as blogs and Wikipedia. But because books have largely been excluded from Google's index -- distant planets of unlinked analog text -- that vast trove of knowledge can't compete with its hyperlinked rivals.

But there is good reason to believe that this strange imbalance will prove to be a momentary blip, and that the blip's moment may be just about over. Credit goes to two key developments: the breakthrough success of Amazon's Kindle e-book reader, and the maturation of the Google Book Search service, which now offers close to 10 million titles, including many obscure and out-of-print works that Google has scanned. As a result, 2009 may well prove to be the most significant year in the evolution of the book since Gutenberg hammered out his original Bible.

If so, if the future is about to be rewritten, the big question becomes: How?

The World of Ideas

For starters, think about what happened because of the printing press: The ability to duplicate, and make permanent, ideas that were contained in books created a surge in innovation that the world had never seen before. Now, the ability to digitally search millions of books instantly will make finding all that information easier yet again. Expect ideas to proliferate -- and innovation to bloom -- just as it did in the centuries after Gutenberg.

Think about it. Before too long, you'll be able to create a kind of shadow version of your entire library, including every book you've ever read -- as a child, as a teenager, as a college student, as an adult. Every word in that library will be searchable. It is hard to overstate the impact that this kind of shift will have on scholarship. Entirely new forms of discovery will be possible. Imagine a software tool that scans through the bibliographies of the 20 books you've read on a specific topic, and comes up with the most-cited work in those bibliographies that you haven't encountered yet.

The Impulse Buy

The magic of that moment in Austin ("I'm in the mood for a novel -- oh, here's a novel right here in my hands!") also tells me that e-book readers are going to sell a lot of books, precisely because there's an impulse-buy quality to the devices that's quite unlike anything the publishing business has ever experienced before.

On another occasion, I managed to buy and download a book on a New York City subway train, during a brief two-stop stretch on an elevated platform.

Amazon's early data suggest that Kindle users buy significantly more books than they did before owning the device, and it's not hard to understand why: The bookstore is now following you around wherever you go. A friend mentions a book in passing, and instead of jotting down a reminder to pick it up next time you're at Barnes & Noble, you take out the Kindle and -- voilà! -- you own it.

My impulsive purchase of "On Beauty" has another element to it, though -- one that may not be as welcomed by authors. Specifically: I was in the middle of the other book, and in a matter of seconds, I left it for one of its competitors. The jump was triggered, in this case, by a sudden urge to read fiction, but it could have been triggered by something in the book I was originally reading: a direct quote or reference to another work, or some more indirect suggestion in the text.

In other words, an infinite bookstore at your fingertips is great news for book sales, and may be great news for the dissemination of knowledge, but not necessarily so great for that most finite of 21st-century resources: attention.

Because they have been largely walled off from the world of hypertext, print books have remained a kind of game preserve for the endangered species of linear, deep-focus reading. Online, you can click happily from blog post to email thread to online New Yorker article -- sampling, commenting and forwarding as you go. But when you sit down with an old-fashioned book in your hand, the medium works naturally against such distractions; it compels you to follow the thread, to stay engaged with a single narrative or argument.

Ahead of Amazon's quarterly results, Citi analyst Mark Mahaney says the company's growth potential is robust and explains why he upgraded his rating on the stock to buy. Stacey Delo reports. (April 20)

The Kindle in its current incarnation maintains some of that emphasis on linear focus; it has no dedicated client for email or texting, and its Web browser is buried in a subfolder for "experimental" projects. But Amazon has already released a version of the Kindle software for reading its e-books on an iPhone, which is much more conducive to all manner of distraction. No doubt future iterations of the Kindle and other e-book readers will make it just as easy to jump online to check your 401(k) performance as it is now to buy a copy of "On Beauty."

As a result, I fear that one of the great joys of book reading -- the total immersion in another world, or in the world of the author's ideas -- will be compromised. We all may read books the way we increasingly read magazines and newspapers: a little bit here, a little bit there.

You're Never Alone

Putting books online will also change how we find books -- and talk about them.

Now that books are finally entering the world of networked, digital text, they will undergo the same transformation that Web pages have experienced over the past 15 years. Blogs, remember, were once called "Web logs," cultivated by early digital pioneers who kept a record of information they found online, quoting and annotating as they browsed.

With books becoming part of this universe, "booklogs" will prosper, with readers taking inspiring or infuriating passages out of books and commenting on them in public. Google will begin indexing and ranking individual pages and paragraphs from books based on the online chatter about them. (As the writer and futurist Kevin Kelly says, "In the new world of books, every bit informs another; every page reads all the other pages.") You'll read a puzzling passage from a novel and then instantly browse through dozens of comments from readers around the world, annotating, explaining or debating the passage's true meaning.

Think of it as a permanent, global book club. As you read, you will know that at any given moment, a conversation is available about the paragraph or even sentence you are reading. Nobody will read alone anymore. Reading books will go from being a fundamentally private activity -- a direct exchange between author and reader -- to a community event, with every isolated paragraph the launching pad for a conversation with strangers around the world.

This great flowering of annotating and indexing will alter the way we discover books, too. Web publishers have long recognized that "front doors" matter much less in the Google age, as visitors come directly to individual articles through search. Increasingly, readers will stumble across books through a particularly well-linked quote on page 157, instead of an interesting cover on display at the bookstore, or a review in the local paper.

Imagine every page of every book individually competing with every page of every other book that has ever been written, each of them commented on and indexed and ranked. The unity of the book will disperse into a multitude of pages and paragraphs vying for Google's attention.

In this world, citation will become as powerful a sales engine as promotion is today. An author will write an arresting description of Thomas Edison's controversial invention of the light bulb, and thanks to hundreds of inbound links from bookloggers quoting the passage, those pages will rise to the top of Google's results for anyone searching "invention of light bulb." Each day, Google will deposit a hundred potential book buyers on that page, eager for information about Edison's breakthrough. Those hundred readers might pale compared with the tens of thousands of prospective buyers an author gets from an NPR appearance, but that Google ranking doesn't fade away overnight. It becomes a kind of permanent annuity for the author.

Writing for Google

A world in which search attracts new book readers also will undoubtedly change the way books are written, just as the serial publishing schedule of Dickens's day led to the obligatory cliffhanger ending at the end of each installment. Writers and publishers will begin to think about how individual pages or chapters might rank in Google's results, crafting sections explicitly in the hopes that they will draw in that steady stream of search visitors.

Individual paragraphs will be accompanied by descriptive tags to orient potential searchers; chapter titles will be tested to determine how well they rank. Just as Web sites try to adjust their content to move as high as possible on the Google search results, so will authors and publishers try to adjust their books to move up the list.

What will this mean for the books themselves? Perhaps nothing more than a few strategically placed words or paragraphs. Perhaps entire books written with search engines in mind. We'll have to see.

(One geeky side note here: Before we can get too far in this new world, we need to have a technological standard for organizing digital books. We have the Web today because back in the early 1990s we agreed on a standard, machine-readable way of describing the location of a page: the URL.

But what's the equivalent for books? For centuries, we've had an explicit system for organizing print books in the form of page numbers and bibliographic info. All of that breaks down in this new digital world. The Kindle doesn't even have page numbers -- it has an entirely new system called "locations" because the pagination changes constantly based on the type size you choose to read. If you want to write a comment about page 32 of "On Beauty," what do you link to? The Kindle location? The Google Book Search page? This sounds like a question only a librarian would get excited about, but the truth is, until we figure out a standardized way to link to individual pages -- so that all the data associated with a specific passage from "On Beauty" point to the same location -- books are going to remain orphans in this new world.)

Paying Per Chapter?

The economics of digital books will likely change the conventions of reading and writing as well. Digital distribution makes it a simple matter to offer prospective buyers a "free sample" to entice them to purchase the whole thing. Many books offered for the Kindle, for instance, allow readers to download the first chapter free of charge. The "free sample" component of a book will become as conventional as jacket-flap copy and blurbs; authors will devise a host of stylistic and commercial techniques in crafting these giveaway sections, just as Dickens mastered the cliffhanger device almost two centuries before.

It's not hard to imagine, for instance, how introductions will be transformed in this new world. Right now, introductions are written with the assumption that people have already bought the book. That won't be the case in the future, when the introduction is given away. It will, no doubt, be written more to entice readers to buy the whole book.

Clearly, we are in store for the return of the cliffhanger.

For nonfiction and short-story collections, a la carte pricing will emerge, as it has in the marketplace for digital music. Readers will have the option to purchase a chapter for 99 cents, the same way they now buy an individual song on iTunes. The marketplace will start to reward modular books that can be intelligibly split into standalone chapters.

This fragmentation sounds unnerving -- yet another blow to the deep-focus linearity of the print-book tradition. Breaking the book into detachable parts may sell more books, but there are certain kinds of experiences and arguments that can only be conveyed by the steady, directed immersion that a 400-page book gives you. A playlist of the best chapters from "Middlemarch," "Gravity's Rainbow" and "Beloved" will never work the way a playlist of songs culled from different albums does today.

Yet that modular pricing system will have one interesting, and laudable, side effect: The online marketplace will have established an easy, one-click mechanism for purchasing small quantities of text.

Tellingly, the Kindle already includes blog and newspaper subscriptions that can be purchased in a matter of seconds.

Skeptics may ask why anyone would pay for something that was elsewhere available at no charge, but that's precisely what they said when Steve Jobs launched the iTunes Music Store, competing with the free offerings on Napster. We've seen how that turned out. If the Kindle payment architecture takes off, it may ultimately lead the way toward the standardized micropayment system whose nonexistence has caused so much turmoil in the news business -- a system many people wish had been built into the Web's original architecture, along with those standardized page locations.

We all know the story of how the information-wants-to-be-free ethos of the Web threatened the newspapers with extinction. Wouldn't it be ironic if books turned out to be their savior?

Tech Rumor of the Day: Barnes & Noble

(TheStreet.com, Scott Moritz, 4/8/09)

Rumor has it you can soon add one more so-called eBook to the Amazon (AMZN Quote) Kindle and Sony (SNE Quote) Digital Book party.

Barnes & Noble (BKS Quote), the nation's No. 1 bookstore chain, is working with a device maker and Sprint (S Quote) on a Kindle-like device, according to one wireless industry insider. The news comes a week after the CTIA wireless show, where sources say there was heavy speculation surrounding Barnes & Noble's plan to give eBooks another try.

Barnes & Noble had been in discussions with Verizon (VZ Quote) as a possible wireless partner for the project, but those talks ended. The impression the insider got was that Barnes & Noble was going with Sprint, the wireless service used by Amazon's Kindle.

Some observers wouldn't rule out AT&T (T Quote) as another potential wireless media download service provider. AT&T, Apple (AAPL Quote) and Amazon partnered to deliver eBooks to iPhones last month. And last week, AT&T was reportedly exploring the eBook option.

If true, the device would give Barnes & Noble a direct competitor to the popular Kindle from Amazon. Fast network speeds for book downloads and sleeker designs have helped turn Kindle into a big success story for Amazon and an electronic opportunity for the publishing industry.

Kindle is expected to net Amazon a gross profit of roughly $63 million on about $285 million in sales this year, according to estimates by Collins Stewart analyst Sandeep Aggarwal.

Barnes & Noble has been through this before. In 2003, the company ended a three-year eBook partnership with Microsoft (MSFT Quote) and Adobe (ADBE Quote) the electronic publishing shop, after suffering disappointing demand for the tablet device.

Last month, Barnes & Noble bought electronic bookseller Fictionwise for $15.7 million. The move would help pave the way for Barnes & Noble's own eBookstore.

Let's file this rumor in the nonfiction section under mysteries.

Fujitsu Launches First Color E-Book Reader in Japan

(Book Business Magazine, April 3, 2009)

Japanese electronics company Fujitsu has launched the world's first color e-paper e-book reader. The Flepia is available for purchase in Japan through Fujitsu's "FrontechDirect" online store for approximately $1,000. The device will begin shipping April 20.

The Flepia, which weighs 385g and is 12.5mm thick, features an 8-inch touch display screen capable of showing up to 260,000 colors in high definition. It enables 40 hours of continuous battery operation when fully charged, and does not require power for continuous display of a screen image. When used with a 4GB SD card, the device can store the equivalent of approximately 5,000 300-page print books.

Equipped with Bluetooth and high-speed wireless LAN, Flepia users may purchase e-books from Papyless, Japan's largest e-book online retailer, and download them directly to the e-reader.

According to Fujitsu, the company hopes to sell 50,000 units by the end of 2010.

Customer's Choice

So publishers and distributors are finally coming to the realization that it's all about customer's having the option to choose, whether it's what platform they want to read content on...or apparently even what price to pay for that content.

• Baker & Taylor Unveils First Phase of Integrated Digital Media Distribution Platform

• Publisher Lets Customers Pay What They Want for Latest Title

And according to Mike Shatzkin's article Will You Recognize the Industry in 10 Years? this will extend to e-books not only having links, but moving photos...kind of like in the Harry Potter world.

So if e-books will have links to videos and the web, will TVs have links to the web and to pdfs of text? Why can't TVs be large e-book devices too that get synched up to the smaller portable device you take with you? But how does that work with a family and their separate devices?

And when do we stop being publishers and just become part of the larger entertainment business? And does it matter as long as we're still dealing with the words we love?

E-bookstore Browsing?

With the Kindle 2 out and e-readers becoming more and more popular, I have been thinking more and more about the bookstore experience, and what I enjoy most about it: browsing. Most of the times when I enter a bookstore, it’s not with a particular book in mind, but with the desire to see what’s come out and if anything’s worth buying and adding to my ever-growing to-read-pile…and half of the times, I actually will buy something. How do I find these books? I first go the “new fiction” table and shelves, then walk around the fiction and sci-fi aisles and see if anything grabs my attention.

How can we translate this “bookstore browsing” to “e-bookstore browsing”? Amazon is already ahead of the curve with the features it offers on amazon.com, but have they made this available on their Kindle? What if when you wanted to buy another e-book, you could click on a feature which showed you the “covers” of the latest releases, and then can further filter by genre. If you like something, you could click on the cover and have the option of reading the “back cover copy,” the first chapter, or a random sampling.

Or does the Kindle or Sony E-Reader already do this? Since I don’t own one (I’ll explain in a bit why), I may be behind and this has already been done. So let me ask those of you who do own one: how does the e-reader browsing experience compare to the brick-and-mortar browsing experience? Which do you prefer, and why?

And the reason I don’t own an e-reader is very simple, and not related to any of the above: I’m an Orthodox Jew and would not be able to use the Kindle on the Sabbath or on any of the holidays, which is when I do most of my reading.

Hearst Gets Into the E-Reader Game

(Mac Slocum, February 27, 2009)

Hearst Corp. is developing its own wireless e-reader that may debut this year. From Fortune:

According to industry insiders, Hearst, which publishes magazines ranging from Cosmopolitan to Esquire and newspapers including the financially imperiled San Francisco Chronicle, has developed a wireless e-reader with a large-format screen suited to the reading and advertising requirements of newspapers and magazines. The device and underlying technology, which other publishers will be allowed to adapt, is likely to debut this year.

The larger screen size will put the Hearst reader in the same class as devices from Plastic Logic and iRex.

Fortune says Hearst isn't discussing product specs, but the company has a longtime association with E Ink. Last September, Esquire published the first E Ink magazine cover.

eBook Evolution: Amazon and Google on Different Paths

(C. Max Magee at The Millions, 2/12/09)

Amazon sucked the all the air out of the literary room this week with its announcement of the new iteration of its Kindle reading device. That the announcement was coming had been no big secret to anyone paying attention and pictures of the device had been floating around online for at least five months, but nobody seemed to mind. The Kindle is just about the only game in town when it comes to sexy new gadgets for the book club set.

With Kindles hitting doorsteps in less than two weeks' time, however, and hands on reviews generally positive, if not glowing, it may be time once again to assess the ebook landscape.

Interestingly, while a watershed event in the evolutions of ebooks has likely occurred this month, the Kindle 2 unveiling is only one of the nominees for that honor. Also in the running is Google's "1.5 Million Books in Your Pocket" announcement last week. For those who missed it, Google has engineered a mobile version of Google Books, for use on iPhones and phones running Google's own mobile operating system. Right now it lets people access the public domain books that Google has scanned and automatically converts the scanned pages into standardized fonts for ease of reading on mobile devices.

Looking at the Amazon option and the Google option, you can begin to see two separate, though not necessarily mutually exclusive paths that ebook evolution will follow. The Kindle path is one of verisimilitude with the printed page, a uni-tasker that wants to provide an experience as close to that of being a book as possible while using technology to improve upon the book by, for example, being lighter and letting you carry multiple titles in one small package. Somewhat surprisingly, the early reviews of the Kindle from the gadget-hounds at venues like Gizmodo eschew their usual demands for "smaller" and "slicker" in wishing that the Kindle were more book-like not less, asking for things like a bigger screen and a sturdier rubber backing rather than "slick aluminum and plastic." Moreover:

Before they address the needs of some hypothetical super weakling who has the aesthetic sense of [Apple designer] Jon Ive, the cerebral voracity of Rain Man and the vision of Mr. Magoo, Amazon must address the needs of very real readers who read only a few books and magazines at a time, who like to download classic non-copyrighted lit and work-related documents for free, and who like to leaf through pages randomly. This last thing is important, though it may be insurmountable: Airport-friendly page turners don't really require non-linear random-access reading, but everything smart from Harry Potter to Infinite Jest does, and that's one concern that the Kindle, or any ebook reader, still does not address well.

If the Kindle will evolve to become more and more book-like, Google's path is much simpler. As our handheld gadgets have added ever more features - cameras, email, music and video playing capabilities - they have become ravenous multi-taskers, seeking out new functions to devour and turn into must-have features. If we are to be a society that reads its books on little electronic devices, one can sensibly argue, then this device will also be my cell phone, camera, mp3 player, and everything else. After all, we only have so many pockets. The Kindle may become the preferred device of the discerning and prolific reader, but the iPhone, or something like it, will do just fine for everyone else.

Even as ebook evolution follows both paths, the expanding capabilities of the devices will open up huge opportunities for newspapers and magazines to blend print and electronic publishing, and who knows what new media business models may blossom out of this new hybrid medium.

The final, and maybe most important piece, of the dual path ebook story, is the content. As has been the case with all "format wars" - VHS vs. Beta, HD DVD vs. Blu ray - the format that is able to attract the content is the format that wins. But in this case, the two formats may be able to exist and mature side by side because both have incredible access to the content for their devices. Amazon CEO Jeff Bezos says that the vision for Kindle is "Every book ever printed in any language, available in under 60 seconds." The Google Book search vision is "We see a world where all books are online and searchable." Both companies have the technical muscle and have built the relationships (and, in Google's case, the legal foundation) with publishers to make good on these claims. With no clear edge in content for either format, both formats have the capacity to survive and thrive.

This, of course, leaves out a third format - the physical book. As long as there is demand for books, they will survive as well. And with publishers and copyright holders maintaining a firm grip on their digital rights (and digital book piracy nonexistent) the new ebook formats represent new revenue streams for publishers that should exist comfortably alongside the old dead-tree model.

The Future of Dedicated eBook Readers

(Joe Wikert's Publishing 2020 Blog, 12/30/08)

BusinessWeek recently published an insightful article called Move Over Kindle; eBooks Hit Cell Phones. After reading it I feel I need to make a confession: My enthusiasm for the Kindle has dramatically shifted to the iPhone. There. I said it. It feels good to come clean.

Don't forget that I'm the guy who was so bullish on the Kindle that I started a separate blog dedicated to it. I'm not suggesting Kindleville is going away, but I do wish I would have jumped on the Apple bandwagon earlier and created iPhoneville instead!

Think about it. Amazon is the 800-pound gorilla but their numerous missteps (e.g., proprietary model, poor inventory management, no brick-and-mortar presence, high price, lack of an innovative pricing model, etc.) have prevented them from shutting the door on Sony. Sony, for cryin' out loud...the company that completely dropped the ball in the consumer electronics world!

So now while Sony is still hanging in there just fine, thank you very much, quite a few prospective customers are starting to realize the smartphone they already own is a better alternative to a $300+ dedicated e-reader. I was a skeptic till I got an iPhone a couple of months ago. Even though the book selection is very limited in the AppStore, I'd be hard-pressed to buy a Kindle now that I have an iPhone. In fact, I had been planning to buy the next generation Kindle that's rumored to appear next year but I doubt I will now. Again, this is coming from one of the Kindle's biggest advocates!

I still don't agree with Steve Jobs and his comment that "people don't read anymore." But wouldn't it be ironic if his platform turned out to be the winner in the e-content battle? After all, he's the guy who's shown the least interest in this sector and yet he now seems to have all the momentum.

Why do I get the feeling Amazon has implemented the equivalent of a "prevent defense", playing "not to lose"? Both those approaches often lead to upsets and that's exactly what it will be if the Kindle fails at the expense of the iPhone.

Turning Page, E-Books Start to Take Hold

(NY Times, 12/24/08, By BRAD STONE and MOTOKO RICH)

Could book lovers finally be willing to switch from paper to pixels?

For a decade, consumers mostly ignored electronic book devices, which were often hard to use and offered few popular items to read. But this year, in part because of the popularity of Amazon.com’s wireless Kindle device, the e-book has started to take hold.

The $359 Kindle, which is slim, white and about the size of a trade paperback, was introduced a year ago. Although Amazon will not disclose sales figures, the Kindle has at least lived up to its name by creating broad interest in electronic books. Now it is out of stock and unavailable until February. Analysts credit Oprah Winfrey, who praised the Kindle on her show in October, and blame Amazon for poor holiday planning.

The shortage is providing an opening for Sony, which embarked on an intense publicity campaign for its Reader device during the gift-buying season. The stepped-up competition may represent a coming of age for the entire idea of reading longer texts on a portable digital device.

“The perception is that e-books have been around for 10 years and haven’t done anything,” said Steve Haber, president of Sony’s digital reading division. “But it’s happening now. This is really starting to take off.”

Sony’s efforts have been overshadowed by Amazon’s. But this month it began a promotional blitz in airports, train stations and bookstores, with the ambitious goal of personally demonstrating the Reader to two million people by the end of the year.

The company’s latest model, the Reader 700, is a $400 device with a reading light and a touch screen that allows users to annotate what they are reading. Mr. Haber said Sony’s sales had tripled this holiday season over last, in part because the device is now available in the Target, Borders and Sam’s Club chains. He said Sony had sold more than 300,000 devices since the debut of the original Reader in 2006.

It is difficult to quantify the success of the Kindle, since Amazon will not disclose how many it has sold and analysts’ estimates vary widely. Peter Hildick-Smith, president of the Codex Group, a book market research company, said he believed Amazon had sold as many as 260,000 units through the beginning of October, before Ms. Winfrey’s endorsement. Others say the number could be as high as a million.

Many Kindle buyers appear to be outside the usual gadget-hound demographic. Almost as many women as men are buying it, Mr. Hildick-Smith said, and the device is most popular among 55- to 64-year-olds.

So far, publishers like HarperCollins, Random House and Simon & Schuster say that sales of e-books for any device — including simple laptop downloads — constitute less than 1 percent of total book sales. But there are signs of momentum. The publishers say sales of e-books have tripled or quadrupled in the last year.

Amazon’s Kindle version of “The Story of Edgar Sawtelle” by David Wroblewski, a best seller recommended by Ms. Winfrey’s book club, now represents 20 percent of total Amazon sales of the book, according to Brian Murray, chief executive of HarperCollins Publishers Worldwide.

The Kindle version of the book, which can be downloaded by the device itself through its wireless modem, costs $9.99 in the Amazon Kindle store. The Reader version costs $11.99 from Sony’s e-book library, accessible from an Internet-connected computer.

Even authors who were once wary of selling their work in bits and bytes are coming around. After some initial hesitation, authors like Danielle Steel and John Grisham are soon expected to add their titles to the e-book catalog, their agents say.

“E-books will become the go-to-first format for an ever-expanding group of readers who are newly discovering how much they enjoy reading books on a screen,” said Markus Dohle, chief executive of Random House, the world’s largest publisher of consumer books.

Nobody knows how much consumer habits will shift. Some of the most committed bibliophiles maintain an almost fetishistic devotion to the physical book. But the technology may have more appeal for particular kinds of people, like those who are the heaviest readers.

At Harlequin Enterprises, the Toronto-based publisher of bodice-ripping romances, Malle Vallik, director for digital content and interactivity, said she expected sales of digital versions of the company’s books someday to match or potentially outstrip sales in print.

Harlequin, which publishes 120 books a month, makes all of its new titles available digitally, and has even started publishing digital-only short stories that it sells for $2.99 each, including an erotica collection called Spice Briefs.

Perhaps the most overlooked boost to e-books this year — and a challenge to some of the standard thinking about them — came from Apple’s do-it-all gadget, the iPhone.

Several e-book-reading programs have been created for the device, and at least two of them, Stanza from LexCycle and the eReader from Fictionwise, have been downloaded more than 600,000 times. Another company, Scroll Motion, announced this week that it would begin selling e-books for the iPhone from major publishers like Simon & Schuster, Random House and Penguin.

All of these companies say they are now tailoring their software for other kinds of smartphones, including BlackBerrys.

Publishers say these iPhone applications are already starting to generate nearly as many digital book sales as the Sony Reader, though they still trail sales of books in the Kindle format.

Meanwhile, the quest to build the perfect e-book reader continues. Amazon and Sony are expected to introduce new versions of their readers in 2009. Adherents expect the new Kindle will have a sleeker design and a better microprocessor, allowing snappier page-turning.

Mr. Haber of Sony said future versions of the Reader will have wireless capability, a feature that has helped make the Kindle so appealing. This means that the device does not have to be plugged into a computer to download books, newspapers and magazines.

Other competitors are on the way. Investors have put more than $200 million into Plastic Logic, a company in Mountain View, Calif. The company says that next year it will begin testing a flexible 8.5-by-11-inch reading device that is thinner and lighter than existing ones. Plastic Logic plans to begin selling it in 2010.

Along the same lines, Polymer Vision, based in the Netherlands, demonstrated a device the size of a BlackBerry that has a five-inch rolled-up screen that can be unfurled for reading. There are also less ambitious but cheaper readers on the market or expected soon, including the eSlick Reader from Foxit Software, arriving next month at an introductory price of $230.

E Ink, the company in Cambridge, Mass., that has developed the screen technology for many of these companies, says it is testing color screens and hopes to introduce them by 2010.

Many book lovers are quite happy with today’s devices. MaryAnn van Hengel, 51, a graphic designer in Croton-on-Hudson, N.Y., once railed against e-readers at a meeting of her book club. But she embraced the Kindle her husband gave her this fall shortly after Ms. Winfrey endorsed it.

Ms. Van Hengel now has several books on the device, including a Nora Roberts novel and Doris Kearns Goodwin’s “Team of Rivals.” She said the Kindle had spurred her to buy more books than she normally would in print.

“I may be shy bringing the Kindle to the book club because so many of the women were so against the technology, and I said I was too,” Ms. Van Hengel said. “And here I am in love with it.”

Q&A With Co-Creator of Classics iPhone E-Reader

(Mac Slocum, November 26, 2008)

We've covered iPhone-based e-readers in the past, but the Classics application offers a few twists: it's not free, and the app's book content is updated along with the software itself. Classics co-creator Phill Ryu discusses the application's design and development in the following Q&A.

Why did you develop a book-centric application?

When we started comparing the iPhone to the Kindle, it was immediately clear to us that we could take advantage of the iPhone's brilliant color screen and touch capabilities to create a reading experience that would stand out from the crowd, so it began as a very, very tempting challenge almost, and eventually turned into a months-long passion project.

How many books do you offer?

We're currently offering a dozen books. They're handpicked favorites of ours, but we'll be adding more with free updates to the app.

Are these books all in the public domain?

Yeah, they are public domain. At the start, [co-creator Andrew] Kaz and I thought we could really do something radical in terms of the digital reading experience, but we couldn't start working with publishers based on the strength of some cool interface ideas, so we settled with the "Classics" name and created this as essentially the first prototype of our reading engine.

Did you consider releasing this application for free?

Yes, for a moment. Then someone knocked on my apartment door and slipped in a rent payment notice letter. The reality of the situation was, we had gone basically broke over the summer working on a pretty cool desktop app, and had to halt development on that until we could find some income. At that point, we came up with the brilliant plan to develop an iPhone app in a few weeks to generate some income, to continue the aforementioned desktop app. Classics of course ended up turning into a serious passion project lasting months of development time, and we went extra broke due to it, so going free was hardly an option. We're rather painfully aware that free apps tend to gather something like 25-50 times the downloads of similarly charting paid apps, and we'd like to reach that audience someday, but most likely it'll be with a spinoff app, and not with Classics.

Are you still developing the desktop app? Does this app also focus on books/content?

I really can't (and shouldn't) talk details, because the app might never fly depending on how talks with some content publishers go, but no, it's not book related.

You're using Apple's built-in software update process to load new books into the application. How did you come up with this idea?

For a variety of reasons. One thing that drove us toward this was gentle but insistent prodding from Apple throughout the dev process to stay away from selling books through our app. We'll be transitioning to server-hosted books later on though, once the collection has grown further.

Did Apple explicitly guide you away from selling books?

They guided us away from selling books directly through our app, which is against the terms for iPhone developers. We're hoping we can figure out an elegant workaround that they are fine with, but I want to stress that overall, they've been very supportive of this app, and have even been showing it off in the ongoing iPhone tech talks around the world.

How often will books be added?

I would expect to see several new books with each app update, the first of which should come later this month or so.

Will updates be free?

Yes. The app may become more expensive later on as it matures, but updates will remain free for all existing customers.

Since the books update along with the software, will users be able to keep/archive titles previously loaded into the application?

We have no plans to remove any books we release. Once the library size becomes prohibitive, we are planning to shift to server hosted books.

Apple requires applications to be under 10MB for download over cellular connections. Does this restriction limit the total number of books you can make available through Classics?

Not really, in that we are already pushing 20MB. We're hoping that we can eventually transition to server-hosted books while retaining the user experience though.

How many people were involved in the development of Classics?

Beyond Kaz and I, there were four designers who helped with various parts of the app (including the cover art, interface, and even processing illustrations for the books), as well as a friend and Web programmer who helped us create some in-house tools for correcting and formatting these books.

The Classics bookshelf interface has a unique look. How much effort went into this design?

Probably more than most people would think! The bookshelf interface for book management was inspired by Delicious Library's visual shelves (an app that Kaz worked on when he was 14). So starting from there, we worked with David Lanham on realizing our own flavor of bookshelf, and slowly refined the look over the next couple months, experimenting with various levels of decoration, tints, etc.

Of course, the other half of the bookshelf view are the custom book covers. As I mentioned before, Classics ended up being a passion project for all of us, and the designers really went overboard with the covers. (In a good way.) We started with the idea of procedurally generating each leatherbound book cover with different colors, sizes and such, with a unique "cover image" for each book designed to look like they were embossed on this set of leatherbound novels. Unfortunately, this ended up looking extremely bland. So after literally weeks of going back and forth on this with Dan Goffin, who was drawing concept art for book covers from the start, we settled on a much more colorful, and less restrictive style of fully illustrated covers.

I think this is the point where it gets a bit crazy. At this point, the concept books were looking much nicer, but we began to feel that the slightly simplified style made them look more like icons than real books. They looked a little fake. So the designers ended up illustrating these in high res, as if they were real books. The user for now actually never sees the vast majority of the detailing, but I think this level of detail adds a really unique level of polish to the app.

Will you port Classics to other systems, such as Android?

We haven't even investigated Android at all yet, but it's certainly a possibility. For now though, this remains an app we just personally really wanted on our iPhones!

Have you used/seen some of the other book-based iPhone applications? What's your impression of these?

Yes. And I feel like you are leading me on a bit with this question, but I'll take the bait and bite. I've tried a bunch of the other book apps out there, and frankly, the overall quality of these apps (in particular the "one-offs") horrified us, and only further motivated us to go full out with Classics. The only other book app out there worth picking up is Stanza.

How many copies of Classics have you sold? Have book publishers or others approached you about including their material in the app?

We've sold over 20,000 copies so far, though there hasn't been so much in terms of profit yet due to our initial investment in the app. We're optimistic though, and we're hoping some leads work out with publishers. There are publishers who want to work with us and sell books on the store, but the main issue for now is that there aren't many viable options for them besides selling one-off book apps, which is not ideal. If there's a nice way to do this though, we'll find it.

I Own Every Great Book Ever Written and They Are All in My Pocket

Perhaps that is a slight exaggeration, but it feels that way. For years now, I have used my Palm TX as my primary way to read books. The only exception to that reading pattern in the last two years has been the "Harry Potter" books, which are not available in a digital format. When I give my lectures on the future of publishing, I invariably reach into my pocket and tell the audience proudly that my Palm Pilot has four movies and 12 books, among other things.

Yesterday, when I went to get my next book, I was confronted with an offer I couldn't refuse. The offer was 3,000 classic titles for $19.00 at the push of one button. All these titles were actually available for free from www.projectgutenberg.com, but not packaged together and not in the format necessary for my Palm. So I pushed that button and now have ready access to a full library in my pocket.

I now have the complete works of Shakespeare, Edgar Rice Burroughs, Anton Pavlovich Chekhov, Agatha Christie, Charles Dickens, Sir Arthur Conan Doyle, Thomas Hardy, Nathaniel Hawthorne, Rudyard Kipling, Edgar Allan Poe, Mark Twain, Jules Verne, H. G. Wells and a hundred other authors always in my pocket and ready to read at any time. I know I won't read them all, but I will read some that I might never have gotten to otherwise.

So, my point is that the concept of e-books and portable screens are doing a many things that the printed page just can't do and that digitized words should be perceived as counting for more. It is more than the fact that I can read just one book in my Palm, but it's my ability to read a passage from practically any book that exists, at any time I want to, as well as the ability to click on hyperlinks, use the in-board dictionary for words I am unfamiliar with, experience multimedia, and add notes and share sections of passages with others. That is the future of publishing, and it is in my pocket at any time.

Lots of E-Reader News

Flexible E-reader to Be Presented at Frankfurt

Polymer Vision announced that it will present its Readius—the “first pocket e-book reader”—at the Frankfurt Book Fair, which will run Oct. 15-19. The new device will feature a flexible display and a wireless connection for downloading books, magazines and even e-mail. The Readius is about the size of a cellphone when it’s rolled up, and unrolls into a 5-inch diagonal screen, according to Polymer Vision.

Sony Introduces Third-Generation Reader Digital Book

Sony has announced the latest edition of its Reader Digital Book. The new model, PRS-700, will be available to consumers along with the previous PRS-505 model.

The new model has the same 6-inch, electronic-ink screen as the previous model, but with added touch-screen capability. Users are able to search terms within a document or book, create notes using a virtual keyboard and highlight text with an included stylus pen. The PRS-700 can store up to 350 digital books in its internal memory, and thousands with a memory card.

The new Reader will be available next month for about $400.

“Readers now have another choice in digital books,” says Steve Haber, president of Sony’s Digital Reading Business Division. “This new model has the eye-popping design and intuitive functionality that people have come to expect from Sony.”

Also this month, Sony will unveil a redesigned page layout, with more prominent book cover art, at Sony’s eBook store (http://EBookStore.Sony.com).